Damien Sneed, the multi-genre composer, bandleader, musician and vocalist, announces a brand-new multi-media touring show for 2022, titled A Tribute to Aretha Franklin: The Queen of Soul. This dynamic presentation celebrating the amazing musical legacy of the late Ms. Franklin, arranged and musically directed by Sneed, will feature an accomplished cast of jazz, gospel, and soul musicians and vocalists. The North American tour kicks off Thursday, February 3, 2022, at the Parker Playhouse in Fort Lauderdale, Florida, and concludes on Sunday, March 20, 2022, at the Kupferberg Center for the Arts at Queens College in Flushing, NY.
The production will feature Sneed on piano and vocals, along with two very special guests: Pop/R&B singer-songwriter Valerie Simpson, aGrammy Trustee Award and Songwriters Hall of Fame honoree; and Karen Clark Sheard, four-time Grammy and multiple Stellar and Dove Award-winning gospel vocalist and songwriter. Sneed has previously served as musical director for both legendary artists, who were thrilled to join him in this tribute.
Aretha has been proclaimed internationally as “the voice of the civil rights movement, the voice of Black America,” and a “symbol of Black equality.” In 1968, her spiritually uplifting voice was heard around the world singing at the funeral of Dr. Martin Luther King, Jr., and in 1972 at the funeral of the Queen of Gospel Mahalia Jackson. Aretha’s acclaimed voice was declared a “natural resource of the state” in 1985 by the Department of Natural Resources of the State of Michigan. Aretha would later reach a milestone in her historic career by singing at the first inauguration of President Barack Obama.
“The tour was inspired just by thinking of something that I could do to honor the Queen of Soul, who was a great musician, a great singer, and a true icon,” says Sneed, who played with Franklin during her final performance at Elton John’s AIDS Foundation fundraising gala on November 7, 2017, at the Cathedral of St. John the Divine in New York City. Sneed recalls some of her best advice, including “not to be discouraged by the things that I may be going through because there’s always someone going through more.” Sneed adds that as a creative artist, Franklin was “one of a kind, a monogene.”
Also joining Sneed on tour will be featured vocalists Chenee Campbell,Markita Knight, Anitra Raquel McKinney, and Alicia Peters-Jordan, all of whom have performed with Sneed in numerous tours. The band will feature Alfred Rutherford on Hammond B3 organ and keys, Ronald “CJay” Alexander on bass guitar, Nathaniel “Nat” Townsley on drums, and Gabriel Michael Carter on aux keys.
In February, Simpson will kick off the tour with Sneed as a special guest at The Parker Playhouse in Ft. Lauderdale, FL (Thursday, February 3); and continues to South Miami-Dade Cultural Arts Center in Cutler Bay, FL (Saturday, February 5); the Opelika Center for the Performing Arts in Opelika, AL (Monday, February 7); and the Van Wezel Performing Arts Hall in Sarasota, FL (Wednesday, February 9).
Clark Sheard will then join Sneed for two days: at The Florida Theatre in Jacksonville, FL (Friday, February 11); and Florida State University, Ruby Diamond Concert Hall in Tallahassee, FL (Saturday, February 12).
Simpson will rejoin the tour at Gettysburg College, Majestic Theaterin Gettysburg, PA (Wednesday, February 16); followed by James Madison University, The Forbes Center for the Performing Arts in Harrisonburg, VA (Thursday, February 17); Jorgensen Center for the Performing Arts in Storrs, CT (Saturday, February 19); Troy Savings Bank Music Hall in Troy, NY (Sunday, February 20); St. Johnsburg Academy, Fuller Hall in St. Johnsbury, VT (Monday, February 21); Berklee Performance Center in Boston, MA (Friday, February 25); TELUS Centre, Koerner Hall in Toronto, ON Canada (Saturday, February 26); Christopher Cohan Center in San Luis Obispo, CA (Wednesday, March 2); Poway Center for the Performing Arts in Poway, CA (Friday, March 4); and Simpson will conclude her last performance at the Gallo Center for the Arts in Modesto, CA (Sunday, March 6).
On Tuesday, March 8, Clark Sheard will rejoin the tour at Eppley Auditorium in Culver, IN, and continue to Hancher Auditorium at the University of Iowain Iowa City, IA (Thursday, March 10);Pablo Center at the Confluence in Eau Claire, WI (Friday, March 11); Marcus Performing Arts Center, Uihlein Hallin Milwaukee, WI (Saturday, March 12); Governors State University, Center for Performing Arts in University Park, IL (Sunday, March 13); Wilson Center at Cape Fear Community College in Wilmington, NC (Tuesday, March 15); Mayo Performing Arts Center in Morriston, NJ (Thursday, March 17); Kimmel Cultural Campus, Merriam Theater in Philadelphia, PA (Friday, March 18); McCarter Theatre at Princeton University in Princeton, NJ (Sunday, March 19) and the tour concludes at the Kupferberg Center for the Arts at Queens College in Flushing, NY (Sunday, March 20).
Sneed’s stage tribute to the Queen of Soul comes on the heels of his January 2022 tour, presenting Our Song, Our Story: The New Generation of Black Voices, highlighting some of the world’s most well-known operatic arias, art songs, and spirituals. The concert tour features Raehann Bryce-Davis and Brandie Inez Sutton, two of today’s most exciting operatic talents, accompanied by a string quartet and Damien Sneed on piano. Most recently, Sneed was commissioned by Alvin Ailey Dance Theater to create an original score for Testament, a contemporary response to the 60th Anniversary of Revelations, for the dance company’s first virtual season, which premiered December 17, 2020. He was also recently commissioned by Opera Theatre of Saint Louis to compose a chamber opera, The Tongue & The Lash, with libretto by Karen Chilton, imagining a post-debate conversation between James Baldwin and William Buckley which premiered on June 10, 2021.